You don’t like your painting? Get over it.
Feeling like all your paintings are bad is painfully common among artists, especially when we’re pushing ourselves to grow. Here are some tips to move through that self-doubt mindset.
Monday Morning Art School: which painting should I choose?
Dithering is so easy to do when you choose a painting for an auction, online jurying, or any other situation where the stakes are high.
Monday Morning Art School: how to learn painting (from the very beginning)
Here’s a step-by-step guide on how to learn painting for the absolute beginner. You can either dip your toe in or go for broke; the major difference is the materials you start with.
Okay, now it’s your turn to be the jury… you pick.
This is, for some of us, the hardest part of a plein air event, so I’m turning it over to you.
Slipping the bonds of mere technique
The value of critique
Forgery, plagiarism, and transformative use: the money machine of art
Transformative use is judged on a case-by-case basis, which is why famous artists like Jeff Koons keep stealing from less-well-known ones. They can better afford protracted legal cases.
Monday Morning Art School: is this painting finished?
Learning to critique paintings
When someone disregards all the voices telling them they can’t do something, and they challenge themselves with hard work and dedication, they ought to be encouraged. Beth Carr Linda DeLorey I’m up at Schoodic Institute teaching my Sea & Sky workshop. We’ve had four days of fog, but my students have responded beautifully, working hard and …
How do you teach effectively with Zoom?
What techniques have you devised to make online learning more effective? Sometimes it rains, by Carol L. Douglas Yesterday, I taught my second class by Zoom. I found a format which I thought would work better than my usual one-on-one teaching model. This was a variation on the paint-and-sip model (minus the wine; it was …