Studio in Art and portfolio preparation—starting Oct. 2, 2010
Saturday, 11 AM-2 PM
(Oil, pastel, acrylic, watercolor)
This class focuses on still life as a fundamental tool for developing drawing and painting technique. It is appropriate for both beginning and advanced students. Instruction emphasizes direct painting, where paint is applied solidly rather than through glazing. For watercolor and acrylic, the emphasis is on alla prima techniques.
Uninstructed Figure Workshop—starting October 8, 2010
Friday, 1-4 PM
Model fee. Please contact me if you’re interested.
Boston Post Road Bridge, Mamaroneck, 24X20, oil on board
The Rye Art Center Painters on Location is my favorite event of the year, a fundraiser for an excellent organization that takes good care of its artists. It includes many excellent New York regional plein air artists, and it’s always wonderful to see my friends and paint in such a lovely location.
This is a site that’s intrigued me for several years. It’s a creek that releases into the harbor. Nothing exotic about it, but I love the sense of mystery about what lies behind that bridge.
Here is my setup, below the Boston Post Road in Mamaroneck, looking back at a bait shop and its boats. I am working very large for an on-site painting—about 24X20, so I have my pochade box and another easel. They are tied together with a bungee cord and on this day I was glad for the weight of that guerrilla box, as the wind threatened to take my painting into the harbor.
Boats in a tidal harbor present a dilemma: either you’re on a floating dock moving up and down with the boats, or you’re on land watching them go up and down (and compensating for the constant changes). I prefer to be on the dock. But it makes for an impressionistic painting, since floating docks are constantly rocking and rolling.
There are about a hundred paintings I could do in this location, including this wonderful stone wall.
This is at the end of my first day, about twelve hours into the painting. Frankly, the lighting scheme was more coherent at this point than in my final painting… something that happens when you paint in the same site for two days.
End of my first day painting.
And here is Bruce Bundock with his fine painting of Rye Nature Center—by a fluke hung right above my painting.
Bruce Bundock with his lovely painting of Rye Nature Center.
Low Bridge ( Erie Canal at Gasport)
30×40 inches – Oil
The Sentinel Tree (Keuka Lake)
30×40 inches – Oil
Here are my two submissions to the silent auction at Rye, NY this month. They can be bid upon long distance: contact Emilia Del Peschio at [email protected] or at (914) 967-0700 x33.
Both are 30X40, framed in gilt hardwood. The first is a sentimental painting for me; that’s where I spent the better part of my childhood and the years after my oldest kids were born, and that’s my (now adult) Julia on her bike in the painting. The vineyard near Keuka is one of those magical places—they grow vines on rock shingle that one can’t imagine supporting anything.
To see other work from this fine show, go here. And if you’re in the Long Island Sound region on September 24 th and 25th, come watch the artists at work.