For several years I asked myself when would be a good time to take a sabbatical from career development, to focus only on painting. Economic malaise presents the perfect opportunity, so I took 2010 as a year to pursue intentional isolation. My plan was simple: no marketing, only one show, even less blogging. Instead, I would spend my time in my studio painting and working with those students who were at hand.
The year of stillness is now done, and I am glad of itāboth that I did it and that itās finished.
Some of the risks proved realāfor instance, when you stop showing, you stop selling. Students wander off, and if you arenāt looking for new ones, you eventually find yourself pretty lonely. On the other hand, youāre able to look at your own work independent of othersā opinions, and you become very invested in the students you retain.
Iād like to be able to recount some sort of spiritual journey which resulted not only in enlightenment but also in a tidy little book deal, but if that happened, I missed it. On the other hand, I did get much better at sketching every dayāespecially in church.
I also got into the habit of doing a daily small still life (6āX8ā). These are āgesture paintings.ā With rare exceptions, they take me 1:20 or less to finish. This is from New Year’s Day, 2011āa new year, a new decade, and back to engaging with the world.