Five ways to spend your stimulus check

Itā€™s meant to be an economic stimulus, not life-support.

The Dooryard, 11X14, oil, by Carol L. Douglas. Stimulus sale price, $550 (regularly $735 unframed)

Whether or not you wanted it, the government recently put $600 (or more, or less) in your checking account. Itā€™s meant to stimulate the American economy, but Iā€™m not sure how much is helped by our usual purchasing patterns. After all, much of what we buy at big box stores is made overseas. Assuming you donā€™t need the money to pay the rent, how can you spend it to benefit your neighbors as well as you?

Invest in your health. Sadly, $600 wonā€™t buy a tummy-tuck, but it will pay for exercise classes or a gym membership. It could also buy physical therapy for that persistent pain, or a round of preventative dental cleanings. How about good winter gear from Maine’s own LL Bean so you can exercise comfortably in the winter? The person who said ā€œthereā€™s no bad weather, just bad gearā€ is an idiot, but warm boots do help. 

Fallow Field, 12X16, oil, by Carol L. Douglas. Stimulus sale price, $675 (regularly $895 unframed)

Donā€™t forget mental health. Iā€™m from New York, where all the best people have had therapy. Itā€™s not cheap, but it can exorcise the demons that keep tripping you up.

We’re all suffering from disconnection these days. More data on your phone plan or a fiber-optic internet service provider can mean better connections with others. If your technology canā€™t keep up with modern communications, update them.

Jack Pine, 8X10, oil, by Carol L. Douglas. Stimulus sale price, $315 (regularly $420 unframed)

Buy art. Iā€™m not talking just paintings here, although thatā€™s a great idea. Instead of replacing the next item on your list with something utilitarian, why not buy something beautiful instead? Consider handmade jewelry, hand-dyed textiles, or a handcrafted table instead of yet another particle-board whatsit from a big box store. (As a dedicated green, Iā€™m a firm believer in good used furniture.)

This is not just about making work for a starving artisan, or even about indulging yourself. If carefully selected, art can yield better long-term gains than the stock market. Not only will you enjoy handling and seeing the object every day, your heirs may thank you after youā€™re gone.

A cautionā€”thereā€™s a world of difference between ā€˜collectiblesā€™ and art objects. If you donā€™t understand the difference, find a competent gallerist to help you.

Winch, 12X16, oil, by Carol L. Douglas. Stimulus sale price, $675 (regularly $895 unframed)

Learn something new (take a workshop or class). Thereā€™s been an explosion in on-line learning because of COVID. Why not use your spare time to learn to sing, do Pilates, or paint? You can find classes on almost anything. (Sadly, my own Zoom painting classes are currently waitlisted.)

Or, sign up for a workshop in the summer. Iā€™ve got four on the docket for next yearā€”Sea & Sky at Schoodic, Pecos, and two watercolor workshops aboard schooner American Eagle.

If youā€™d rather figure it out yourself, acquire the tools you need. One of my painting students has been buying router bits; heā€™s teaching himself to make frames. Get a guitar or a good used piano and make some music.

And there are always books, which were the original door to shared knowledge.

The Whole Enchilada, 12X16, oil, by Carol L. Douglas. Stimulus sale price, $675 (regularly $895 unframed)

Buy a tree. Iā€™m a pretty cheap person, so my idea of planting a tree has always been to dig up a sapling, transplant it, and wait for it to grow. The older I get, of course, the less practical that approach is.

All of us could use more beauty in this world, and our local garden center is a great place to find it. Iā€™m seriously thinking of yanking those overgrown, dormant shrubs this winter and replacing them with something pretty in pink.

Donate to a charity. There is always need right in our own communities, especially in this pandemic year. Mainers can consider Maine Community Foundation. In Rochester, I like Gerhardt Neighborhood Outreach Center. Iā€™m sure thereā€™s an organization in your town that could use help.

Monday Morning Art School: how to draw a tree

Trees have limbs, so it’s no surprise that you draw them much like you do the human figure.

Old barnyard tree, by Carol L. Douglas. 6X8, oil on canvas.

All drawing starts with careful observation. Start by observing the branching structure and overall shape of your tree. Opposite branching means that side branches, twigs and leaf stems grow directly across from each other from a main trunk. These include maple, ash, dogwood and buckeye. Alternate branching is much more common. Itā€™s where side branches, leaves and twigs do not grow opposite each other, but grow in either a spiral pattern or an alternating one. The oak family are alternate branchers; stems grow out in a spiral pattern with no two branches coming from the same node. This creates the oak tree’s distinctive silhouette.

Every variety of tree has a distinctive shape.

Itā€™s very easy to fall into the trap of making trees two-dimensional cutouts, with branches extending to the left and right. In fact, branches extend in all directions, including straight at you. How do you render this with authority?

Wire-frame drawing of the basic shape of my White Oak.

Donā€™t try to sort all that complexity out in one shot. Rather, start with the major structure. Just as with the human figure, I start with a wire-frame drawing. In the case of trees, I start by reducing the trunk and branches into a series of tubes in space.

Check those negative spaces!

As you finish each major branch, check to be sure the negative space between the branches is accurate.

If youā€™ve done this phase correctly, you might notice that these simplified branches are almost human in movement and shape. This should be no surprise; weā€™re all part of the same creation.

That’s the basis of your line drawing.

Connect the tubes with flowing lines to create your treeā€™s wooden structure. Donā€™t obliterate the circles too fast; they will be your guides to setting shadows.

Time to set the shadows.

Identify the light sourceā€”is it coming from the left or the right? Once youā€™ve identified the light source, set the shadows.

The foliage doesn’t need to be fully articulated, just suggested.

Add foliage as masses of dark. If you want to articulate the individual leaves more carefully, you can do so, but be selective. Too much detail will obliterate the charm of your tree.

Presto, it’s a White Oak!

Refine the shadows and youā€™re done.