“I’m not talented” is the most pernicious lie in the world. Science is slowly disproving it.
Under a milky sky (Hare Bay, Newfoundland), Carol L. Douglas. It’s exactly what today’s sky looks like.
Like Thomas Edison, I firmly believe that “Genius is one percent inspiration, ninety-nine percent perspiration.” I have zero tolerance for the 18th century idea of the Cult of Genius or for Sigmund Freud‘s theories of poetic madness.
These ideas stripped rationality from the creation of art and the art market. They made it inevitable that art and music would be considered non-essential, meaning we could cut them from our schools. They removed the joy of making art from the everyday experiences of ordinary people. Early in our educations, some of us are labeled ‘talented’ and the rest are encouraged to do something else. That’s rigid and it limits everyone, artist and non-artist alike.
Creativity is the one of the defining characteristics of mankind, after all, and it should flow through everything we do. That’s especially important in our post-industrial society, where making stuff—canning, farming, woodworking, sewing, etc.—is now unnecessary.
|Abstraction, by Carol L. Douglas. Drawing takes many forms, and all of them are helpful to the human mind.
Science is slowly returning us to a pre-Enlightenment understanding of art as part of the toolkit of the rational man. Drawing is not just a tool to communicate; it’s a tool to classify and learn.
The researchers in this recent study figure that drawing gives your brain different ways to engage with new material—imagining it, rendering it, and looking at your visual record. All those steps encode it in your memory. I’d add one more thing—doodling is the spoonful of sugar that makes the medicine go down.
|My late friend and student Gwendolyn Linn attracted a flock of kids eager to learn.
Adults can leave a work environment that discourages doodling. Kids aren’t so lucky.
Many of us were riveted by last week’s story of 40,000-year-old figurative cave drawings
found in Borneo. “It now seems that two early cave art provinces arose at a similar time in remote corners of Paleolithic Eurasia: one in Europe, and one in Indonesia at the opposite end of this ice age world,” wrote co-researcher Adam Brumm
It actually means that scientists have only found these drawings in Europe and Indonesia. Not every cave has conditions to preserve art, of course. But reason tells us that if there’s cave art in two such distant places, it was probably practiced worldwide by paleolithic man.
There’s a connection between these two stories, and it comes from my pal, artist Diane Leifheit
|Adult students getting fresh air and intellectual exercise last summer near Spruce Head. We won’t be so fortunate today; it’s raining.
“When someone says, ‘Oh I can’t draw,’ I say, ‘We have been making art for thousands of years. It is in our DNA. We just have to scratch the surface to find it,’” she said.
Next time you tell me you aren’t talented, remember that. As for drawing straight lines, I carry a straight-edge in my painting kit. Works every time.