A roundup of holiday art shows

All of which, not coincidentally, have paintings by me in them.
Lilybells by Katharine Cartwright is one of the many wonderful works at the Kelpie Gallery this holiday season.
Women in the Arts Holiday Pop-Up 
Featuring works by Anne Bailey, Susan Lewis Baines, Katharine Cartwright, Sandra Mason Dickson, Carol Douglas, Lauren Gill, Kris Johnson, Ann Sklar, Holly Smith, Jill Valliere, Sandy Weisman, and Carmella Yager
Opens Nov. 29 – Dec. 24 at:

The Kelpie Gallery

81 Elm Street in the ‘Weskeag Village of South Thomaston, ME
Open 10 – 4, closed Sunday and Wednesday.
For more information, email here or call 207-691-0392.
Sea Fog, by Carol L. Douglas, will be at Ocean House Gallery.
2019 Ocean House Gallery Holiday Show

This is a small-works show with all works at a set price of $250, making them perfect for gift-giving. Artists from around Maine participate.
Opening Reception: Saturday, Dec. 7 from 1 to 4 pm.
Show runs through January 10th at:

Ocean House Gallery & Frame

299 Ocean House Road
Cape Elizabeth, ME 04107
Open Wednesday – Friday 10 – 5, Saturday 10 – 4 and by appointment.
For more information, email here or call 207-956-7422.
Blueberry Barrens, Clary Hill, will be at Camden Falls Gallery
Camden Falls Holiday Show, Christmas by the Sea
Opening: Thursday, Dec. 5 through Sunday Dec. 8, at

Camden Falls Gallery
5 Public Landing
Camden, ME 04843
For more information, email here or call (207) 470-7027
Tricky Mary in a Pea-Soup Fog will be at Carol L. Douglas Studio.

Carol L. Douglas Studio Open House and Holiday Sale

Opening: Saturday, Dec. 7, from noon to 5, at

Carol L. Douglas Studio
394 Commercial Street
Rockport, ME 04856
Sunset is one of many works offered in my online sale.
And online…     
                                                   
Have you wanted to get someone (or yourself) one of my paintings but never quite been able to afford one?  I’m offering a few paintings this season at steep discounts. These can be found here.
Paintings are discounted 30, 40, 50, even 60% off their list prices. Not only that, but postage to the US and Canada is included.

How long did that take you?

Our actual painting time is a fraction of the total time we spend on our work.
The Stage Door, by Russel Whitten.

For the past four years, the third Wednesday in July has been the longest day in my calendar year. This year was no exception. It started at 6 AM, when I started writing for this blog. At 8 AM, I’d breakfasted and was in the field painting for the last day of Ocean Park’s Art in the Park. I finished at 1 PM, arranged my display and then set up my tools for Castine Plein Air(which starts this morning). From there, I returned to my host’s home, where I showered and dressed in respectable clothes. Then I packed my car. The reception ended at 7:30; at 7:42 I was pulling out of my parking spot. I did not even stop to eat.

I’ve driven into Castine when it lay enchanting under a full moon, and through dense coastal fog. Last night, a crescent moon hung low in the sky. “Midnight blue” is not advertising jargon; it’s the real color of the sky when there’s no ambient light and the stars seem to quiver in the night sky. It was beautiful but also very, very late when my friend Harry welcomed me back to his home.
Laundry, by Christine Tullson Matthieu
Recently a reader asked, “How do you stay awake for those long drives?” I find that singing is the best cure for sleepiness, so I do it loudly and enthusiastically. In fact, I sing so much that I’ve decided to form a NeedtoBreathe cover band, as I may be the only person in the world who can decipher their lyrics.
Temple, by Anthony Watkins.
Several people have asked, “How long does a painting that size take?” It’s a difficult question to answer. An 8X10 might take me three or four hours of actual painting time. That doesn’t include the time I spend setting up my palette, or dragging my gear across a beach, or the hours I spend driving or priming canvases and making frames.
Ocean Park Ice Cream Parlor, by Ed Buonvecchio.
Yesterday, Russ Whitten was trying to remember where he’d left a stack of watercolor paper. He spent precious time tracking it down, which cost him a final painting. That kind of thing happens because we’re tired, we’re hot, and we’re stressed. It has to be factored in to our schedule, as do equipment failures.
Some days it rains, by Carol L. Douglas
Two people asked me, “Of the five paintings you did for this show, which is your favorite?” It made me think about the values I was aiming for. In the end, I chose my rain painting. It was technically difficult and I think it captures the energy of that storm.
Based on that, I asked each of the other artists to choose their favorite painting to share with you. Meanwhile, I’m off to paint; our boards were stamped starting at 6 AM this morning.