Category: hashtags

Posted on

The nuts and bolts of social media: getting readers

You’ve written an amazing post with catchy copy and valuable tips. Now, how do you get discovered?

Best Buds, by Carol L. Douglas

Before you start blogging, make sure you have a Facebook business page, separate from your personal page. There are many differences, but the most important is that your business page is always public. It is meant to be a web listing. Spend a little time making sure it’s complete.

This should remain business-like. Keep your political opinions and agit-prop off your business page, unless your art or posts are overtly political. Invite your FB friends to ‘like’ this page; they’re the core of your following.
Also, make sure your email list is up-to-date.

Cut and paste this to each repost site.

Once your blog post is published, you’ll want to fashion a new ‘hook’, different from the tagline below the headline. You’ll use this and the link every time you repost, as in the illustration above.
Reading, by Carol L. Douglas, private collection.

I repost in this order:

  1. Share photos to Pinterest. This has the longest half-life of any social media site, it’s extremely easy to post to, and it has high viewership.
  2. Google+. Why add a social media platform that nobody reads? Because what you post on Google+ is indexed on Google.
  3. Twitter. Remember to manually add a photo to your text and link here.
  4. LinkedIn
  5. Facebook business page. From there, share back to your own personal page, as well as to any user groups in which you’re a member and who might be interested.

There are three other marketing channels for related, but not duplicate, material:
  1. Google My Business, if you have a brick-and-mortar location.
  2. Newsletter—I use it only to announce upcoming workshops, 2-6 times a year, but you should definitely use it to introduce your blog to your fans. Ask them to subscribe.
  3. Instagram—related content, 1-2 times daily.
Tom Sawyer’s Fence, by Carol L. Douglas
Why hashtags? Those words are indexed by the social network and are searchable by other readers. If you click on a hashtag, you’ll be brought to a page that aggregates all posts with that tag.
All blog platforms have stats built into them. These tell you how many people are looking at your posts, which posts are the most popular, where your readers come from, and how they’re looking at your blog. Make a habit of looking at it regularly.
Regular readers of this blog know it ran under a newspaper’s aegis for about 18 months. My readership dropped during that time, so I consulted Bob Bahrof Outdoor Painter. He told me that, everything else being equal, it’s always better to work under your own brand rather than someone else’s. My own experience showed that to be true.
This is the last of a three-part series on art blogging. Part one is here, and part two is here.

UPDATE: On October 8, Google announced it is discontinuing Google+ because of a massive data breach.
Posted on

Going by the numbers

We should all immediately switch to Instagram. But as with blogging, there’s a lot of unpredictability on the internet. There’s still plenty of room for intuition.
Joan of Arc, 1879, Jules Bastien-Lepage, courtesy Metropolitan Museum of Art

Yesterday I had my left foot operated on, giving me a matched pair of incisions and some hope for less pain going into the summer.

My mind is muddled, so I’d hoped to reprise an old post. To that end, I consulted my stats for this blog. Blogger tells me what my top posts are (although this blog has been on three different platforms over the years). A few years ago, the most popular posts were The One Thing Every Painter Should Know and a recipe for scallops from my friends Berna and Harry.
Plastic bags, dethroned by art history.
Since I last checked, art history has steamrolled over them. The top view-catcher is this post about Jules Bastien-Lepage’s Joan of Arc. It’s eleven years old, it violates the modern dictums of length and language, it’s complex, and it continues to get readers. In fact, there are a number of art history posts on that top ten list, including The Adoration of the Magi in the Snow and Ingres and Napoleon.
Measured week-to-week, however, art history is a slow starter. Those posts usually have the lowest immediate readership, even when they have much to say.
Napoleon I on his Imperial Throne, 1806, Jean-Auguste-Dominique Ingres, courtesy, Musée de l’Armée, Paris
After more than a decade of blogging, I still see no discernible pattern for what will be popular in a post. That’s liberating. It means I can write about whatever I care about, rather than pitching content to some ‘expert’ idea of the public’s low taste.
A surveytells us that new galleries are opening more slowly than they did a decade ago. This is part of a general decline in entrepreneurship in the United States. It’s no surprise to those of us who worry about our battered small town Main Streets, but there’s good news in that same report.
It surveyed a group of high-net-worth individuals about their collecting habits. These are people with more than $1 million but less than $5 million in assets. The vast majority (89%) spent $50,000 a year or less on art and objects. That suggests they aren’t buying from tony Manhattan galleries, but from low- and mid-tier galleries. In other words, they’re buying works by people like you and me, in places like S. Thomaston, Camden and Ogunquit.
The Adoration of the Magi in the Snow, 1567, Pieter Bruegel the Elder, courtesy Oskar Reinhart Foundation
Meanwhile, the online market for art and collectables continues to grow, but at a slower pace. That makes sense as a market matures, and it’s nothing to worry about. More than half of online art buyers said they will buy more art online in 2018 than they did last year, according to the Online Art Trade Report.
Instagram has dethroned Facebook as the preferred means of online promotion. In 2016, galleries used the two platforms almost equally. Now only 31% of respondents prefer Facebook to the 62% who liked Instagram. Instagram is also the favored platform for collectors under 35, 79% of whom said they discover new artists on Instagram and 82% of whom said they use it to keep up with artists they like.
Going by the numbers, we should all immediately switch to Instagram. But just as with blogging, there’s a lot of unpredictability in sales. There’s still plenty of room for intuition.

It’s about time for you to consider your summer workshop plans. Join me on the American Eagle, at Acadia National Park, at Rye Art Center, or at Genesee Valley this summer.