The Bourbon Trail

Our national identity is to be found in diners and city parks, cypress swamps and little towns, local church services, at Home Depot, on city streets and lonely country roads.

I may have the wrong footwear for Buffalo…
As much as I like overseas travel, I’ve never felt the urge to teach in another country. Landscape painting conveys a deeper shade of intimacy that I simply don’t feel when visiting other places. I enjoy them, but I don’t love them in the same way as I love the US and Canada.
I took this trip to pave the way for a workshop in the Deep South. Why didn’t I just head to the more familiar eastern seaboard states? I’m familiar enough with them that a road trip wasn’t necessary. The central south has been calling to me for a long time, although I’m still not sure what it’s saying.
I usually approach Kentucky from the north. It seems very southern compared to Ohio. This time, driving up from Mississippi, it seemed northern, its drawl flattened out to a midwestern twang. Either way, its identity is confused. This is where the great antislavery novel, Uncle Tom’s Cabin, was set. When Eliza struggled across the frozen Ohio River, she was literally leaping from slavery to freedom.
One-lane road, central Kentucky.
And yet, nowhere was ‘brother against brother’ truer than in Kentucky. The state tried to sit out the Civil war, but its self-declared neutrality was ignored by both sides. Eventually, it cast its lot with the Union. But southern sympathies were strong, and a group of citizens formed a shadow government that joined the Confederacy.
I came to love Kentucky when I did art festival in Louisville. Now I take every opportunity to shun-pike through this state. It has beautiful farms, lovely steep hollows and hills, and the biggest known cave system in the world. But I was being a serious driver yesterday, intending to get from Bowling Green to Buffalo, NY in one shot. That meant sticking to the Interstate system like a burr on a saddle-blanket.
Dogwood and distillery.
Maybe it was the knowledge that there was snow ahead, but I couldn’t resist veering down the Bluegrass Parkway. This runs east to Kentucky horse country. These are the most manicured farms in America, and the horses—even the ones free to graze near the road—are beasts of singular beauty. The spring grass is in, and the horses were gamboling in the sun.
Before I got that far, I saw a sign for Kentucky’s Bourbon Trail. That eventually put me on a series of one-lane roads. The blind corners, cropped hedges and small-town distilleries reminded me of the Isle of Skye.
Most of us, when we say we’ve ‘been to’ a place, mean we’ve driven through on the Interstate or we’ve flown in, gone downtown, eaten at trendy restaurants and seen a few tourist sites. You really don’t learn much about your country like that. Our common ground is to be found on the old Federal routes, at diners and city parks, in cypress swamps and little towns, at local church services, or talking to the guy at Home Depot. We should all do more of that.

This line of country

Google maps makes it possible to play cat-and-mouse in your car.
Parke County, Indiana, from an earlier midwest painting trip.
Most of my kids have Google maps location sharing set up. This feature tells you where a cell phone is. If I had younger kids, I’d insist on it. However, my children are all adults. I don’t have them tied to my apron strings; it was something my husband was tinkering with and we never turned it off.
It’s very useful, especially when someone loses their cell phone. “Mary,” I can say from across the country, “it’s at your house.”
Chapel of Faith, by Carol L. Douglas
I met my eldest and her family in Mobile, Alabama. Since then we’ve been traveling in parallel. They amuse themselves with tourist activities while I paint, and we meet up afterwards.
Location sharing has limitations. It updates periodically, not instantaneously. You can set a route to the last destination the phone was in, but you can’t track the other phone in real time. It will be less fun when they fix that.
Parke County, Indiana, from an earlier midwest painting trip.
My kids were poking along the gulf coast while I was in Langan Park with fellow painter Cat Pope. Rather than call them to meet up, I decided to track them. It was an exhilarating game, for they were moving as fast as I was. Time after time, I pounced, only to come up with thin air—they’d moved on. Finally, they entered a cul-de-sac. “Ah!” I said. “I can cut them off at the entrance.” But, alas, another car pulled up behind me, preventing my neat maneuver.
A warning, though: you’re driving a real machine, not an imaginary video-game car. Pull off to the side of the road to use Google maps, just as you should when doing anything not driving-related.
My son-in-law likes to drive at night. They headed north while I got a hotel room in Mississippi. I’m a poor sleeper. I noted they’d stopped for a while at a rest stop in Tennessee. In the morning, they were at the Corvette Museum in Bowling Green, KY.
Wabash Bottom Lands, by Carol L. Douglas
Rather than retrace my steps through Virginia, I decided to head north after them.
They’d stopped at a lonely country intersection south of Birmingham, Alabama for gas, about 40 miles from where I’d been in Marion last week. There were two service stations. The first was devoid of life, except for a big ol’ junkyard dog. Arthur lost his favorite cap running back to his truck.
At the second station, there appeared to be a party in progress. There were trucks everywhere, but nobody was buying gas. Nobody seemed to notice him. “They were like zombies,” Arthur told me. He decided to go back to the first station. The dog was gone and the pumps were on, but the station was as ghostly and abandoned as ever.
As he headed back to the interstate, he saw something in the road. “That’s my hat!” he exclaimed. It was full of bitemarks. He left it right where it was.