The old South and the new

An Alabama folk artist will know he’s made it when his work graces the walls of a Manhattan apartment, even if he doesn’t see much cash from the sale.

An outdoor folk art installation in the woods.

The Confederate Cemetery at Marion is full of Union soldiers who died in hospital here. They outnumber their southern brethren, in fact, with whom they’re buried side-by-side. It was just one of many surprises here in Perry County. This is the second-poorest county in Alabama, which is itself the 47th poorest state in America, but it’s also a proud and beautiful place.

“There’s art in these woods,” our guide, Pastor John Nicholson of Siloam Baptist Church, told us. Sure enough, tacked to the trees were paintings on pieces of old tin roofs. “There used to be lots more,” John lamented. I hope that a gallerist doesn’t discover this open-air gallery any time soon. Then, instead of being free to the citizens of Marion, the art will cost $20 for Manhattanites.
Cypress swamp in Perry County, Alabama.
In the bigger world, money conveys legitimacy. Earnest Williams isn’t making any money by tacking his paintings onto trees. When his paintings sell for six figures and grace the walls of an Upper East Side classic six, he’ll know he’s arrived, although he will probably see very little actual cash from it.
The UN instructs us that Alabama is practically a third-world nation. My husband was in Haiti a few years ago. “Does that look like Haiti?” I asked him as we passed a particularly ramshackle cabin.
“Perhaps like the very best house in Port-au-Prince,” he answered.
Antebellum house in Marion, Alabama.
I do know the slums of Rochester pretty well, and measure for measure, I’d rather be in the woods. New York ranks 15thin America for wealth but right behind the District of Columbia for income inequality. I’ve known plenty of people living in a different kind of squalor. If your neighbor is a snapping turtle or black bear, you’re already wealthier than the family living next to a drug house with a chronic rat problem.
There is a lovely antebellum house mouldering on Marion’s main street. This is not because of poverty, but because of family dynamics; the owners are alive and prospering just around the corner.
Old slave housing in Marion, Alabama.
A sermon or seven could be preached about this house’s fall from grace. Camellias of every variety bloom in its overgrown lawns. Its slave quarters stand as they did in the 19th century, as does its outdoor kitchen. For the first time in years, I’m motivated to paint something overtly instructive. I took many, many photographs. “You’ll just have to come back,” John said.
South of town, the landscape is less woodsy and more prairie. We stopped by a lovely old farmhouse in the middle of pasturage, lakes and ponds. It would be the perfect place for a workshop. I’m seriously thinking about it.
Camellias in bloom.
I stopped in Montgomery for lunch. This is more like the New South I’ve read about, a 20th century boom-town, with bustling restaurants and souvenirs in its riverfront area. A tour guide cheerfully herded her charges down pavements that once served as Montgomery’s slave market.
There’s a small industry here in Hank Williams remembrances, with people picking over the details of another poor Alabama boy’s life. I’m a fan, so we dutifully forked over our $20. A swank tour coach from Georgia was parked next to his grave. 
Next stop, Mobile.

Alabama’s black belt

A sleepy exterior belies a turbulent civil rights history.

Siloam Baptist Church, by Carol L. Douglas.

In the earliest days of social media, ‘stranger danger’ took the form of warnings about people on the internet. When I befriended a Southern Baptist preacher online, my kids were horrified. Facebook came along, and Pastor John Nicholson posted photos of Marion, AL, and historic Siloam Baptist Church. He told me that I really ought to come down and paint there someday. Yesterday, I did.

The city of Marion’s population is about the same as that of Rockport, ME, but it is able to spread out on a neat grid of streets. There are some terrific, large, old houses here, and like everything else, they have elbow room. The pastor’s home is a massive old place; so is the church itself. Built in the boom times, it could seat five hundred worshippers.
The chair of the art department at Judson College told me a little about this area’s civil rights history, and gave me this book.
This is the center of Alabama’s Black Belt. This originally referred to the region’s rich, black topsoil. With the development of 19th century cotton plantations, the term started to refer to African-American slaves as well. After the Civil War, freedmen stayed as sharecroppers and tenant farmers. Perry County, of which Marion is the seat, is almost 70% black.
Jimmie Lee Jackson was a young civil rights activist and deacon at St. James Baptist Church here in Marion. On February 18, 1965, he was beaten and shot by troopers while protesting. Eight days later, he died in hospital in nearby Selma. This was the catalyst for the first Selma to Montgomery March on March 7, 1965.
Jimmie Lee Jackson’s home church in Marion, AL.
It’s hard to resolve this sleepy, pretty town with such a violent and important history. In fact, I didn’t know anything about it until I met Joshua Pickens, head of the art department at Judson College. This small, jewel-like school was founded by members of Siloam Baptist Church in 1838, making it the fifth-oldest women’s college in the United States.
My maritime buddies might appreciate the sentiment.
I was there to talk to his students. After, they showed me a formal room in the front of Mead Hall. This is a combination parlor and dining room. It dates from the days when etiquette was an important part of a woman’s education. Even the beautiful old china is still there.
Siloam is a mother church of the Southern Baptist Convention.
Siloam Baptist Church itself has a strict, austere Greek Revival symmetry. Had I the time to do a second sketch, it would be of the doors behind those squat Doric columns.  Seldom used now, they led to the sanctuary and to the gallery, where slaves (and later, cadets from Marion Military Institute) sat.
That evening, I joined the Siloam church family at a church supper. The college-age Bible study was lightly attended because it’s midterms, but there were still more than a dozen young people. They recounted Old Testament history, sang hymns and then discussed Scripture for an hour and half. It was far more rigorous than any church school class I ever taught. The Black Belt may be financially poor, but they have a rich spiritual legacy, and they’re tending it.