Category: Pompeii

Posted on

On my bucket list

The superheated pyroclastic material from the eruption of Mount Vesuvius in 79 AD preserved Herculaneum, Pompeii, Stabiae, and Oplontis intact (including food, human bodies, and wooden superstructures). The historian Pliny the Younger wrote about the eruption to the historian Tacitus, so we even have an eyewitness description of the volcano. And they’re in the Campania, which is a fantastic tourist destination in its own right. No wonder so many students opt to learn about them.

One of three new mosaics unearthed this year at Muzalar House in the ancient city of Zeugma, in modern Turkey.
While they are famous and well-studied, they are by no means the only Roman mosaics in Europe, Asia Minor or the Middle East. Last week a Turkish news bureau announcedthat this year’s digs have unearthed three new Roman mosaics in the ancient city of Zeugma.

“Gypsy Girl,” a fragment of mosaic found in the ancient city of Zeugma, in modern Turkey.
Zeugma was formally settled around 300 BC by Alexander the Great’s infantry general, Seleucus I Nicator. It was named for the bridge of boats (zeugma) which crossed the Euphrates River there. Its location was unknown until a few years ago, when signs of archaeological looting combined with plans to dam the Euphrates led to its investigation. Only a small number of its mosaics have been located and preserved to date.

Detail from a mosaic from the ancient city of Zeugma, in modern Turkey.
In its heyday as a Roman city, Zeugma was home to more than 70,000 people. The get-rich-quick hangers-on of the Empire built their usual sumptuous villas, distinguished by mosaics. But Zeugma was also one of those “crossroads of the Ancient World” places where civilizations cross-pollinated. The site includes pre-Hellenistic, Greek and Roman ruins and artifacts.

One of three new mosaics unearthed this year at Muzalar House in the ancient city of Zeugma, in modern Turkey.
Pompeii and its environs have been explored since the end of the 16th century. There is nothing new we could possible say about them. In comparison, Zeugma has been studied for 25 years. Since the mosaics are being removed to the Zeugma Mosaic Museum, future students will never examine them in situ as they do at Pompeii and Herculaneum. Still, Zeugma’s mosaics are sophisticated, naturalistic, and well-preserved. They should attract any student of ancient art.

I will be teaching in Acadia National Park next August. Message me if you want information about the coming year’s classes or this workshop.
Posted on

I don’t object because it cheapens sex, but because it cheapens art.

William Blake’s The Great Red Dragon and the Woman Clothed with Sun (1805). This is what conceptual art used to be about.
The Daily Mail reportedthat a young British art student plans to have sex in a public gallery for a project entitled Art School Stole My Virginity. It’s both sad and quaint that he imagines there’s anything left to shock in the act of sex. We Boomers, after all, got there long before him.
It’s the debasing of art I object to. Every time someone has a half-baked idea, they gussy it up and put it in a gallery. How often do they think they can do this before the word “art” has utterly no meaning?
Think of British art at the end of the 18thcentury—Reynolds, Stubbs, Gainsborough, Romney, Blake, Lawrence, Turner, and Constable, to name just a few. To paint at their level, they had to be great thinkers as well as great technicians.
In 1759, the English poet Edward Young published an essay called Conjectures on Original Composition. This argued that originality and creativity were more valuable than classical training. His ideas were seized by Goethe and the rest of the Sturm und Drang movement.
Nothing new under the sun, except perhaps that the murals in Pompeii were in a brothel, not a gallery.
On a practical level, the Cult of Genius meant artists were no longer considered craftsmen but intellectuals. The above artists were painting in that zeitgeist. It was appropriate in their case, but it ultimately led to the divorce of idea from technique that ends with sex being considered fine art.
The truly amazing thing would be if the kid made it through art school without losing his virginity. Or made it through art school without deciding he’s gay. Or actually practiced to master his art, which I suppose is part of the point, since virgo intactacan be loosely translated as “never having practiced.”

Let me know if you’re interested in painting with me in Maine in 2014 or Rochester at any time. Click here for more information on my Maine workshops!