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Use your inside voices

This trip perfectly combined work and fun. How can I bring that attitude back to my regular routine?
White sand, by Carol L. Douglas. This is the best photo I’m going to have of this painting; it’s staying in Scotland.

When plein airpainters stand in one place for a long time, we melt into the scenery. It’s a great job for eavesdropping. This week, I’ve heard chatter from all over the world. As I stood near the landing, I realized that visitors were coming off the ferry in national waves: Americans, then Scots, then Germans, then French-speakers. There are a lot of Americans in Scotland right now. The dollar is strong and Outlander has many die-hard fans.

Americans can be exuberant, but no more so than the Scots. I’ve gotten to hear bits and pieces of conversation I should never be privy to. You may feel as if you’re alone, but outdoors on a small island, there is always someone nearby.
Daisy chain: a photo of a photographer photographing me painting something else. Courtesy of Douglas J. Perot.
Because I’m part of the scenery, tourists take my picture while I’m painting. Occasionally they’ll ask, but that isn’t necessary. I’m outside in public, so I’m fair game. A few days ago, I posted the photo above on Instagram. “That is me! I hope you don’t mind I took some pics of you… How embarrassing!” wrote user surfeandovientos.
Let that be a lesson on the power of hashtags. People really do search and follow them.
White sands of Iona, by Carol L. Douglas. The water is turquoise in Iona Sound.
I generally get in my 10,000 steps a day. Even that is not enough to keep up with the typical middle-aged European. My friends and husband averaged 25,000 steps on their Iona ramble days. Even in town they walked to most destinations that we would grab a car for.
The average American walks 3,000 to 4,000 steps a day, or roughly 1.5 to 2 miles. If you don’t up your game significantly, you won’t enjoy visits to places like Iona, where there are few cars and roads. The time to start exercising is now, before you ever book a ticket.
You’re not getting as much value out of the scenery of your home country, either. The world looks very different on foot. Your heart, your soul, and the environment will all thank you if you start walking every day.
Resting place of warriors and kings, incomplete, by Carol L. Douglas.
I painted every day it wasn’t raining, and I still managed a decent daily ramble. I went to an auction preview, out to dinner, to Rosslyn Chapel, and traipsed around after my friends on one of the world’s most scenic golf courses. There were no golf carts; one had climb stiles over barbed-wire fencing and dodge the sheep to get from hole to hole. If golf was like that in the US, I’d find it irresistible.
“I know this is your opportunity to paint on Iona, but you don’t have to work all the time,” cautioned my husband. So I didn’t, merely keeping a pace that was comfortable. The challenge for me is to take that attitude into my summer season.
Yesterday, we moved along to Glasgow, where we walked through the city center before bed. I can’t really say I’ve ‘seen’ Glasgow, and I—sadly—missed the Kelvingrove, but that’s the nature of travel: you always want to come back for more.
This morning I’ll repack my luggage and head to the airport and home. I have an appointment with the town assessor to look at our sewer connection first thing tomorrow morning. There’s nothing like returning to reality with a thump.

How not to pack for a painting trip

I love travel but loathe packing. My clothes take me fifteen minutes or so, as one pair of paint-stained clamdiggers is interchangeable with any other. It’s the tools, paints and supplies that require thought.  I always print out my student supply list as a starting point. (You can find a copy here.)
I had unexpected company on the weekend. That meant I was even less prepared than usual. Still, with list in hand, I was unlikely to forget anything useful.
I’m on my way to Freeport in the Bahamas to paint with Joelle Feldman and Bobbi Heath. I felt good about my packing job until I saw theirs. Bobbi also works from a list, but hers is separated into “checked luggage” and “carry on.” Bobbi’s painting kit was lost en route to Brittany last year and not recovered until long after she got home. She has learned the painful lesson that some things shouldn’t be checked.
Less attention to my pedicure, more to packing would have helped.
Recently, one of my students arrived at the airport with a new 150 ml tube of paint in her carry-on bag. “Everyone knows you can’t do that,” we think. You’d be surprised at the mistakes you can make if you’re rushed or tired. Mercifully, it was just titanium white instead of a more expensive pigment.
Bearing that in mind, I carefully tucked my paints into my checked luggage. My tools and easel I kept in my carry-on. They are the priciest part of my kit and would be the hardest to replace on the road.
Joelle is a pastel painter. Her entire kit and clothing fit into a carry-on bag. That’s partly because she’s very efficient. Her clothes were vacuum-packed. Bobbi and I have the excuse of being oil painters to explain our extra luggage. We’d also been advised to bring toilet paper and paper towels with us, so our bags were fluffier than normal.
You really packed a half-empty bottle of plonk, Carol?
The first intimation that I might have done a bad job packing came last night when I realized I’d tucked my umbrella into my kit. It’s cumbersome and I never bring it on the road if I can help it. There was no going back, so it is heading to the Bahamas with me. This morning I noticed an odd shape sticking out of my suitcase. Investigating, I found a half-finished bottle of wine. It has been in my luggage since I returned from Canada in October.
Bobbi’s suitcase was far more orderly than mine.
Even we couldn’t face stale red wine before 6 AM. So I rinsed my hair with it.
But my real painting advice for the day is to make sure you put your palette knives, scraper and Leatherman tool in your checked luggage, not your carry-on. The alternative—replacing them or paying for another checked bag—are both expensive, as I now know.
Looking for packing advice? You should probably ask Bobbi or Joelle.

Honey, I’m home!

The Delaware Water Gap, 9X12, painted on another stopover along Route 80.
Well my rig’s a little old,
But that don’t mean she’s slow.
There’s a flame from her stack,
And the smoke’s rolling black as coal.
My hometown’s coming in sight,
If you think I’m happy you’re right.
Six days on the road and I’m gonna make it home tonight…

(Six Days on the Road, by Earl Green and Carl Montgomery)


The beauty of traveling from New York City to the western part of New York is that you can bypass much of the state itself. In addition to cheap New Jersey gas and the absence of New York’s exorbitant tolls, traveling via US 80 allows you to pass through the Delaware Water Gap, which is surely one of America’s unsung natural wonders. I have often stopped to paint there, and I always stop to walk a little way along the Delaware River.

The Delaware Water Gap looking picturesque today.
Today the park rangers were stringing plastic tape preparatory to closing the park entrances, in anticipation of a government shutdown tonight. It’s an absurd gesture, since most of the costs of the park—mowing and maintenance—will continue whether or not we travelers are allowed to stop or not.

They’re ready to close the park entrances in the case of a government shut-down tonight. Pity, this.
I wasn’t going to paint today in any event. But it is a transcendent autumn day with glorious clear, golden light, and puffy clouds. The Poconos are at their peak of autumnal color, and the far hills vibrate violet-blue. Some days aren’t meant to be painted; they’re meant to be remembered.
The Poconos are at peak color right now, but it’s hard to take photos while driving.
One more workshop left this year! Join me in October, 2013 at Lakewatch Manor—which is selling out fast—or let me know if you’re interested in painting with me in 2014. Click here for more information on my Maine workshops!