Constant overdrive

My strategic plan for 2022 seems to be in tatters. That’s the price of constant overdrive.

Skylarking, 24X36, oil on canvas, available.

At the end of last year, pastor Quinton Self challenged us to stop with the busy work and focus on what matters. That includes moments of rest. He and I are the same psychological profile (with the test scores to prove it), so when he zings me in a sermon, I figure he’s also talking to himself. In February, when he’d just finished a fast-paced, five-week teaching program on top of his other work, I asked him: “so, how’s that Sabbath rest thing going for you, PQ?” He smiled. It’s a constitutional problem for both of us.

Every year recently I’ve said, “this is the latest I’ve ever done my taxes.” This year’s record will stand. I can’t get much later and not file for an extension. That’s a terrible idea; it just prolongs the agony. What’s scary is that I didn’t even think about taxes until I was flying back from Phoenix two weeks ago.

Breaking Storm, 48X30, oil on canvas, available.

I had coffee with my Canadian pal Poppy Balser last week. I don’t really envy our Canadian neighbors their economic system. However, when I’m calculating income tax, I wish we could streamline our ponderous system and replace it with something like theirs. As a sole proprietor, I keep records on all kinds of things that are irrelevant to the average taxpayer—household repairs, utility bills, and the cost of operating my car.

It’s time-consuming and tedious, and I’m good with numbers. I can’t imagine what it’s like for my math-phobic fellow artists.

Admin is the curse of all sole proprietors. We write our own ads, maintain our own websites, do our own strategic planning, keep books, and somehow churn out a product. I am, for some reason, drowning in admin right now.

Wreck of the SS Ethie, 18X24, oil on canvas, available.

“Did I ever send you the materials for next year’s ad?” I asked Anthony Anderson of the Maine Gallery Guide yesterday. No, he replied, but if I can get it to him next week, I’ll be fine. I could hire my student Lori Galan or my old friend Victoria Brzustowiczto lay it out for me. Either of them would probably forgive me my hair-raising lateness. However, I don’t even have a clue what I want to say. And that ad is the most important one I’ll run all year.

Being in constant overdrive is corrosive. It forces a person to be reactive, batting balls back out as fast as they come in. Instead, intelligent people are proactive, thinking out a strategy and sticking with it.

I did that at the beginning of the year, by the way. It’s in tatters.

Beautiful Dream, 12X16, oil on birch panel, available.

But help is on the way. When we’re in overload, things have a way of falling on us and slowing us down. Another Canadian artist friend, Cathy LaChance, put it very succinctly when she was diagnosed with COVID this week: “My turn to be forced to rest.”

Call it the Universe, if you want; I prefer to credit God with this good design. 

The problem with frenetic people is that we are sometimes so busy we can’t hear the “still small voice” of God. That’s why it is often accompanied by the wind and earthquake (or COVID)—to get our attention.

I’d rather not wait that long.

Jet lag from crossing back home

Time to ditch Daylight Savings Time, and move Maine to the Atlantic Time Zone
Marsh with running tide, Carol L. Douglas. These are my finished paintings from Parrsboro.
Crossing into New Brunswick, the Mainer goes from the Eastern Time Zone to the Atlantic. There’s one more time zone to the east on our continent, the little-known Newfoundland Time Zone, which is staggered on the half-hour. This is followed only on Newfoundland, its offshore islands, and the most southern parts of Labrador.
As weird as that is, it’s no weirder than the sprawling Eastern time zone, which starts somewhere around Grande-Rivière, Quebec, and runs to Ontonagon, Michigan. Sunrise in Grande-Rivière was at 4:17 AM this morning. It was at 6:03 AM in Ontonagon. That’s an unwieldy span.
Headlands, Carol L. Douglas
Our pre-clock ancestors marked the time of day by measuring with a sundial, making noon whatever time the sun was directly overhead. They weren’t worried that this was slightly different down the road. After all, if you walked from Winchester to Canterbury, any difference in the time would be lost along the way.
Greenwich Mean Time was established to aid navigators to determine longitude at sea. Nobody changed their clocks to match it; they just carried on with solar time right up to the 19th century.
Breaking Dawn, Carol L. Douglas
Enter the railroads. It was a bit difficult to set a schedule when towns fifteen minutes apart by train used different time systems. By the middle of the 19th century, British rail companies were using Greenwich Mean Time and portable chronometers to standardize time keeping in Britain, although it was a tough sell in places. British clocks from this period sometimes had two minute hands, one for railroad time, and one for local time. But by 1880, Greenwich Mean Time was the standard for Great Britain.
Low tide, Carol L. Douglas
Here, time was confused in a uniquely American way. Every railroad company had its own standard time, based on where it was headquartered. Its schedules were printed in its own system, leaving the stationmaster at an important junction with the unenviable task of translating several different train lines’ timetables into local time. The solution was multiple clocks, one for each railroad.
Standardization was reached on Sunday, November 18, 1883, known as “The Day of Two Noons,” when each railroad station clock was reset as it reached the standard-time noon. The western limit of Eastern Standard Time was my home town of Buffalo, NY. That’s more than 700 miles east of the current western boundary.
Fox River School, Carol L. Douglas.
Last fall, the Commonwealth of Massachusetts issued a report recommending that their state ditch Eastern Standard Time “under certain circumstances.” Effectively, it would get rid of Daylight Savings Time—hurrah—and put Massachusetts on Atlantic Time year round.
My quick-draw of Parrsboro and its mudflats.
I’m all for ditching Daylight Savings Time nationwide. It’s a meaningless exercise that throws our internal clocks off twice a year. I’m also in favor of switching Maine to Atlantic Time. The sun rises 25 minutes earlier in Halifax than it does here. That puts our internal rhythms more in tune with the Maritime provinces than with Michigan. 
The problems of such a switch are overstated. If we can do business with Californians and Australians, we can probably figure out the time difference with New York.
A kindly carpenter made teepees for Cathy LaChance and me. Only in Canada!
It gets dark mighty early here in the winter—Boston’s earliest nightfall is just 27 minutes later than in Anchorage. Since I live 185 miles north and east of Boston, it’s even worse here. Correspondingly, it gets light awfully early in the summer as well.
Have mercy on us, legislators, and let us get some rest.
Just one more workshop this calendar year, but it’s an awesome one! Sea and Sky at Schoodic, August 5-10. Be there or be square.