Atmospheric perspective

Atmospheric enough for you?
Today was damp and drizzly—a perfect opportunity to consider atmospheric perspective. We did so at Glen Cove in Rockport, where on a clear day we can see islands in the far distance. Today was not a clear day; it became steadily less clear as we went on.
Matt’s view of the above scene. Yes, those are water droplets on his canvas.
Atmospheric (or aerial) perspective is the tendency of objects far away to have less contrast and chroma than objects nearby. In painting, we create the illusion of depth by depicting more distant objects as lighter and less-detailed than closer objects.
Pamela chose a long view of a boat at anchor. By the time she finished, the scene was monochromatic.
That’s not just a painterly convention. Solar radiation approaches the Earth in a direct beam, but is then scattered around in our atmosphere. That’s what gives us blue skies, pink sunsets and atmospheric perspective. On a clear day, there’s more of it bouncing around between you and that distant hill than between you and your coffee cup, so the distant hill looks bluer.
Nancy chose the same view, and experienced the same change in conditions.
Of course, when fog comes into play, it is water droplets that obscure that distant hill. However, the effect is the same. The easiest way to execute it is to just add some of the sky color—whether that’s blue, or grey, or violet—into the greens of the distant hills. The more distant the object, the more sky color should be added to it.
Sue chose the beach view.
At about 2 PM, the atmospherics had gotten a bit too thick to see much of anything at all, so we had a cup of hot tea and proceeded to the Farnsworth.  There we saw, among many fantastic paintings, Fitz Henry Lane’s Shipping in Down East Waters (1854) which is a luminous painting of boats in fog. Nothing like seeing how a master did it!
Sue hard at work.

And if these days weren’t enough, my intrepid students went out last night and painted the full moon over Chickawaukie Lake:
Matt’s view across Chickawaukie Lake.

Pamela’s view across Chickawaukie Lake showed the sinuous ripples that were there.
Matt’s second view across Chickawaukie Lake.
Nancy’s view across Chickawaukie Lake.

Pamela’s second view across Chickawaukie Lake.
The second of my Maine workshops started today. August and September are sold out , but there are openings in October! Check here for more information.

Surf’s up!

A Happy Harbor, oil on canvasboard, by little ol’ me.
In two days I’ll be on my way to Maine to teach the first of this summer’s workshops. Today’s task was to finalize selections for my season-long show at Lakewatch Manor.
Although I would dearly love to bring my painting of the HalveMaen Passing Hudson Highlands, the inn itself is more than 250 years old, and my sense is that smaller paintings will be in scale with its rooms.
Surf at Rockport, oil on canvasboard, by little ol’ me.
Often I go back several years and am shocked at how differently I respond to individual pieces. However, the small painting of surf at Rockport, above, was my favorite the instant it was finished. It has waited several years to be shown in its proper place, and I’m thrilled.

However, A Happy Harbor (at top) is a painting that snuck up on me and surprised me. I considered it incomplete when I did it, but I absolutely love its spontaneity now.

Surf at Port Clyde, oil on canvasboard, also by little ol’ me.

I painted the surf at Port Clyde, above, last November. It’s amazing to me how similar the two paintings are, painted many years apart.

Boatyard, oil on canvasboard, also by little ol’ me.

August and September are sold out for my workshop at Lakewatch Manor in Rockland, ME… and the other sessions are selling fast. The June session starts this weekend, but there are still day-student slots open.  Join us in July or October, but please hurry! Check here for more information.