My home town of Buffalo, NY is the most famous lake-effect snow city in North America, but it’s hardly unique. Erie (PA), Rochester, Syracuse, and the small city of Oswego regularly get buried in snow. The Great Lakes are very deep, so they don’t freeze solid in winter. Arctic air sweeps across them, picking up moisture that then drops in deep blankets onshore. I miss those blizzards very much.
There are other, smaller snow plumes that are not as well known. One of these is in Orleans County, New York. I spent two decades driving weekly from my mom’s house in Niagara County to my house in Rochester. That took me straight through the Orleans snow belt.
As my children can recite by heart, you don’t drive in snow country without a candle and matches, bottled water, a chocolate bar, car blanket and collapsible shovel. People have frozen to death in their cars in Buffalo.
It was on a bitter winter afternoon that I found myself flagged down by an Orleans County Sheriff’s Deputy. She directed me around an accident and warned me that the road ahead was barely passable. The wind was whistling along the long, flat fields of the Niagara-Orleans lake plains. There, wind can pick up already-fallen snow, reducing visibility, and driving it into drifts as hard as cement. When these form across a road, your steering wheel can be wrested right from your hands. Road salt doesn’t work in extreme cold, which is perilous in icy conditions.
I’m an old hand at winter driving, but I slowed right down. At one point, I stopped entirely, which is when I saw the drifts above. At the time, I was thinking through a solo show at Davison Gallery at Roberts Wesleyan College called God + Man: Paintings by Carol L. Douglas, about which I wrote last week.
James Herriot wrote about the bone-chilling work of the Yorkshire veterinarian, particularly the grueling task of lambing during blizzards on the high Dales. Not only were shepherd and veterinarian at risk, but newborn lambs were in danger of freezing or predation.
I wanted to paint that feeling of intense cold at high elevations. At first glance, viewers see these shapes as mountains; it’s only when I tell them the backstory that they realize they were a series of drifts just a few feet tall. Context is everything when it comes to reading a painting, and the artist has lots of latitude in repurposing reference pictures.
God + Man was about the relationship of God and man in the natural world. This painting was based on Isaiah 1:18, which says: “Come now, and let us reason together,”
Says the Lord,
“Though your sins are like scarlet,
They shall be as white as snow;
Though they are red like crimson,
They shall be as wool.”
My 2024 workshops:
- Painting in Paradise: Rockport, ME, July 8-12, 2024.
- Sea & Sky at Schoodic, August 4-9, 2024.
- Find your authentic voice in plein air: Berkshires, August 12-16, 2024.
- Art and Adventure at Sea: Paint Aboard Schooner American Eagle, September 15-19, 2024.
- Immersive In-Person Workshop: Rockport, ME, October 7-11, 2024.