It turned out to be much more work than I imagined, but it has proven to be an enduring tradition.
|Carrying the Cross, pastel, by Carol L. Douglas|
Twenty years ago, a member of my church approached me with an apparently-simple request: could I write and illustrate a Stations of the Cross for our Sunday school students? While we used a liturgy similar to Catholics, our belief system was very much Protestant.
Catholic Stations take the form of artwork hanging in or near the nave. They are generally in the form of bas-relief. My mother’s family is Catholic (although we were not) so I’d had plenty of time to contemplate the Stations growing up.
|Gambling, pastel, by Carol L. Douglas|
The Stations grew from the tradition of pilgrims walking the Via Dolorosa in Jerusalem. This dates from the time of Byzantium. During the late Middle Ages, Franciscans built a series of outdoor shrines across Europe so that common people could also experience this meditation. By the 17th century, stations were being built within churches. They were a popular printed devotional; Albrecht Dürer’s Great Passion and Little Passion are the Stations in book form.
Eventually, Catholic Stations evolved into the fourteen scenes that are used by Catholics today. They include scenes that aren’t Biblical; rather, they are an imagining of that bitter, difficult walk to Calvary. In my naivete, I figured I’d just ‘correct’ them to make them more Biblically accurate. That was about as feasible as making a few quick adjustments to the Book of Kells for the modern reader.
|The Crucifixion, pastel, by Carol L. Douglas|
No, a rewrite was in order. With the Gospels in one hand and a children’s book about the Holy Land in the other, I set out to make a new set of Stations.
And then disaster struck. I was diagnosed with a big, fat, robust bowel cancer. I spent the following year being radiated, poisoned and cut apart. Concentration was difficult. I sketched out the bones of the project, wrote the text and assembled my sketches into a first iteration. That was all I could do.
|Piercing his side, pastel, by Carol L. Douglas|
In all, it took two years for me to finish the Stations. The church hung the pictures in the nave during Holy Week. I moved along to an evangelical church, and ultimately to Maine.
It gives me great joy that, this many years later, they still hang the paintings every year. Each year I get tagged in a photo from one old friend or another, with a note saying, “your stations are up.” There are children in those illustrations who have now graduated from college. Many of my older models have died, but others continue to worship in that same church. I still get a kick out of looking at the pictures and remembering them.
|Stations hanging in the nave of St. Thomas Episcopal Church, Rochester.|
If you’re in Rochester, you can see the Stations today, at St. Thomas’ Episcopal Church, 2000 Highland Avenue. If you want to read them this Good Friday, the opening pages are here. Just hit the “newer post” button at the bottom of the page to continue. And have a blessed Easter weekend!