“Mountain Lake, Spring,” by Carol L. Douglas. In some ways the Adirondacks can double for Maine because they have the same soil type.
Spodosols are also found in the Adirondacks, which may explain why Winslow Homer
had such an affinity for both places. I watched a friend garden in the lower Adirondacks for a few years. While he was able to amend the shallow soil, the short growing season ultimately did him in.
“Catskills Farm,” pastel, by Carol L. Douglas.
My working life has been mostly spent in upstate, central and western New York. There, the soil is very deep and well drained, often running to clay. It is also essentially basic, meaning there are no broadleaf evergreens in the forest understory. If untended, it quickly reverts to forest, which tends strongly to maples, ashes, tulip trees and other hardwoods.
“Kaaterskill Falls,” by Carol L. Douglas. This is the shale of Southern Tier and Catskill Mountains.
It can be extremely stony from glaciation, but it is never rocky in the way of Maine. The exception is where rivers cut gorges through its bedrock limestone and shale. Western New York is oddly flat compared to the rest of the Northeast. The hills are low, worn, humpy things, remnants of glacial formations that are much flashier in other parts of the continent. That is why people think of it as Midwestern, rather than Mid-Atlantic.
“Corn Hill Methodist Church,” by Carol L. Douglas. This ruin is of Medina Sandstone, which is a cool red color.
Medina sandstone, which underlies the Lake Plains, is reddish in color. That gives its dirt a cool red undertone. The color is echoed in the Victorian Gothic architecture of its cities and towns. A great percentage of the land is under production, since this is very fine farming soil, both for truck farming and for grapes.
“Middle Falls of the Genesee River,” oil on canvas, by Carol L. Douglas.
A landscape painter is in some ways a journalist. We notice and communicate facts about our world. We frequently tell people that painting is in the seeing, not the paint application. Nowhere does that play out more than in plein air work. The more observant we are, the more we tell the story of the place.