On Wednesday I challenged you to do 30 watercolor paintings in 45 days. “What is your favorite watercolor painting?” a reader responded. My favorites are by John Singer Sargent, Winslow Homer, and Anders Zorn, I said. Then she clarified that she meant a watercolor painting by me. That’s harder.
To me watercolor is like drawing: an extremely personal medium. I use it to sketch out ideas and for travel. And of course I teach watercolor once a year aboard schooner American Eagle. I like my watercolor quick and dirty, in part because it helps me get over myself when I get tied in knots in oil painting.
Watercolor paintings are infinitely varied. The result depends on the paper used, the brand of paint and the character of the artist. I gravitate to Yupo and hot-press paper because I like their editability. Others like the soft lyricism of cold-press, and indeed that’s what I generally use and teach with at workshops.
It’s very hard for me to identify a favorite painting, though. It might be Glade, which long ago went to a private collector. Or Clary Hill Blueberry Barrens, which I think captures the excitement of a windy day at the top of the world. Or Bunker Hill Overlook, which is a painting of just one of the more than 6000 lakes and ponds in Maine. Or Path to the Lake, which reminds me of my pal Clif Travers and his cemetery obsession. But right this second, I think Rachel’s Garden, above, is my favorite. As watercolor paintings go, it’s loose as a goose, and I like that.
I’ve tossed in one from my time teaching aboard the schooner, because it’s on cold-press. It’s one of the few paintings I’ve done that’s not for sale.
My 2024 workshops:
- Painting in Paradise: Rockport, ME, July 8-12, 2024.
- Sea & Sky at Schoodic, August 4-9, 2024.
- Find your authentic voice in plein air: Berkshires, August 12-16, 2024.
- Art and Adventure at Sea: Paint Aboard Schooner American Eagle, September 15-19, 2024.
- Immersive In-Person Workshop: Rockport, ME, October 7-11, 2024.