Monday Morning Art School: buying frames

This is my painting Stone wall, salt marshes in a Canadian-style frame. They're almost impossible to get in the US.

I woke up one morning in a surfeit of gold, hating gold plein air frames. This is partly my friend Poppy Balser’s fault. “You Americans love those heavy gold frames, but Canadian buyers think they look cheap,” she said. Well, dang.

Frames are my bête noire. I have a garage full of them, and yet, seemingly, never the right one. If you have a painting in black, the buyer wants gold—or vice-versa. And they ding easily. I’ve lost count of the paintings I’ve gotten back from shows with the protective corners missing.

This is my current favorite frame, a simple chop I buy from Omega, on a painting called Drying Sails.

Last week I wrote a guide to buying art supplies online. “What about framing?” a reader asked. I asked several professional artists to chime in. Here are their suggestions.

Don’t dismiss your local option, like Primrose Framing in Rockland. “I have my local frame shop build me simple frames, simply the four pieces of wood mitered together, from their stock,” said Bobbi Heath. “These are comparable in price to the other sources, and convenient.”

I buy frames and chops (lengths of moulding) from Omega Moulding. The quality is excellent and they have an exhaustive catalog, but they require a business account. They’ve recently limited what they’ll send by freight up to my neck of the woods, so sometimes I have to have things drop-shipped to my daughter in New York. That’s not always handy.

I’ve also purchased unfinished framing stock from Vermont Hardwoods and built my own. That’s the most beautiful option, but I don’t have time these days.

A number of my peers recommended JFM. They require a state resale certificate, as do most wholesale vendors. Chrissy Pahucki likes them “especially for panoramic sizes. I like to save their very sturdy boxes for shipping paintings too.”

They’re Lynn Mehta’s go-to as well. “Their price point isn’t too bad. They have a pretty wide selection of ready-made sizes as well as custom.” Natalia Andreeva and Eric Jacobsen also endorse them.

A traditional gold plein air frame from Florida Frames (photo courtesy Bobbi Heath).

“I also really like King of Frame,” Lynn said. “Some of their frames are really beautiful. I’m always looking for low-profile moulding which isn’t too heavy and preferably closed corners. Both companies have a good selection. Also, the customer service at both of these companies is wonderful.” Eric Jacobsen and Ken DeWaard also like King of Frame. “King of Frames has many of the same styles as Omega,” Jane Chapin noted.

Ken suggested San Diego Frame. They also require a resale certificate, but Ken says they’ve provided a good-quality product. “I used to make my own,” he said, “but I’m not ready to go back down that road yet.”

Bobbi Heath and Jane Chapin recommended Florida Frames, although Jane likes them for chops only. Bobbi also likes varnished wood contemporary frames from Frame Destination. And she points out something that’s true of all frame sellers: “Buying multiples in each size lowers the cost and combines the shipping.” That’s one reason professional plein air artists end up working on standard-sized boards. It’s also how I ended up with a garage full of frames.

Don’t dismiss the big-box art supply retailers. “I also use Dick Blick Simplon black frames with a gold liner for more standard sizes because they ship pretty fast,” said Crissy Pahucki.

“I just ordered some frames from Jerry’s Artarama Museum Collection on another artist’s recommendation,” said Lynn Mehta. “When you go on the site look for museum quality frames and in particular the artist frames, not the plein air. The big bonus he pointed out is that Jerry’s offers free shipping.

“They look pretty good, in my opinion. Solid frames. Came in their own boxes, like Omega Frames, and wrapped in a bubble-wrap envelop.

“Heavy as can be, though. I'm not a fan of heavy frames. Heavy for me to ship and heavy to haul around. I will buy them again if I need a frame in a hurry. But I don't want to stock up on them.”

Natalia Andreeva buys frames from Jerry’s, too. She also points out that antique and second-hand stores are a great source for frames.

3 Replies to “Monday Morning Art School: buying frames”

  1. Most of us are not going to have a resale ticket, so our retail options are limited. When Dick Blick has a sale, it’s usually pretty good. I’ve gotten frames from PictureFrames.com. But there’s no bargains there.

    1. That’s why I tried to note those which required resale certificates. And you’re correct, it’s much harder without one.

  2. I got a resale cert because I have been buying from different sources for years. United Manufacturing used to have great chop, now I use Decor where I can get all the other necessities for framing – pastel. As a pastelist there is the double whammy – good glass. To reduce costs I frame with no mat (smaller frame=lower cost) and I use Ultra view conservation glass which is like looking through water. I also use spacers to keep the work from the glass. Figuring out how to ship safely without breaking the bank has become the biggest negative. Still knocking wood as everything so far has made it to destinations with narry a ding but bank has been broken with recent fuel prices. A recent sale sent one piece to Maryland for $60 and the other to Seattle for $120 with me doing the boxing and packing. I add S&H to the customer.
    So anytime someone implies everything we do is for fun…. ok let’s not go there.
    PS I agree with Poppy. The plein air gold frame is garish to me. It is the work that should glow.
    Artliveslong, D

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