Monday Morning Art School: how important are collectors, anyways?

Marshall Point, oil on archival canvasboard, 9X12, $696, includes shipping and handling in continental US.

The first time you sell a painting to a friend, you feel a little guilty, as if it’s a pity sale. (That’s different from pity marketing, which is when artists relate their struggles to generate sales. Manipulating others’ sympathy is exploitative, it makes all artists look bad, and I wish people wouldn’t do it.)

The second or third time that person buys a painting, you start to suspect that, against all odds, they actually like your work. You have a collector. As you get more well-known, you’ll collect more collectors, but those first ones are everything to the fledgling artist.

Quebec Brook, oil on archival canvasboard, $1449 framed includes shipping and handling in continental US.

My first serious collectors were Dean and Karolina. We went to church together and were friends. I knew they collected art, so when they bought their first painting from me, I was flattered. Then Dean asked me to paint a portrait of his children as a gift for his wife. He gave me an absolute deadline. That was a great lesson, as I realized that I could finish a painting with the same professionalism that I’d once finished design projects for customers.

Karolina was a great support when I was a mother of young kids without family nearby. Once she helped me pull all the wall-to-wall carpet from a house we’d just bought. As you can imagine, I’d love her if she never bought any art from me, but in fact she bought a painting just last year.

Eric’s Barber Shop (midnight walk), oil on archival canvasboard, 9X12, $869 framed, includes shipping and handling in continental US.

I met Martha when she came to my house at 0:dark:30 to watch William and Kate’s wedding. Our mutual friend Mary brought her, but we’d been corresponding for months. Martha bought her first painting from me at a Black Friday sale shortly thereafter. By the time she got married, we were close enough friends that I was invited to her wedding in Scotland; I brought them a painting as a wedding gift.

Her husband asked me to paint her portrait. It turned out to be as much a portrait of their drawing room as of Martha and her dog. Later, the room was destroyed by a catastrophic flood, which makes the painting that much more meaningful. I’m currently in the early phases of another painting for him.

Dean and Karolina were my friends before they ever bought a painting. Martha and I became close friends over subsequent years. I’ve had the good fortune to sell paintings to my friends, and to become friends with people I’ve sold paintings to.

Birches, 6X8, oil on archival canvasboard, $435 framed includes shipping and handling in continental US.

Your friends are perfectly free to ignore your art career. Most of them will, in fact. You may never meet your collectors if they’re buying through a gallery or online. But anyone who likes your work enough to own it is likely to share common emotional and intellectual ground with you, or the work would never have spoken to him or her in the first place. It’s no surprise that the lines of friendship and art often blur.

No artist can survive without collectors. Beyond that, my life has been immeasurably enriched by so many people who’ve pondered my paintings and drawings, corresponded with me about them, and, yes, occasionally purchased them. Thank you all.

For any of you who want to start collecting, here’s 10% off any painting on my website. Just enter the codeTHANKYOUPAINTING10.

My 2024 workshops:

2 Replies to “Monday Morning Art School: how important are collectors, anyways?”

  1. Thanks for this Carol. I know the “pity” sale truly applies to me. Some dear friends (C & L) bought a couple of mine. I was happy they loved the paintings but felt like I should have given them the paintings.
    Fast forward a couple of years, I painted a portrait of L with her precious fur baby from a photo I had taken while on a friend trip. The painting was a birthday gift for L. She was overjoyed especially since her furbaby had crossed the rainbow bridge a short time before.
    Several months ago, my friend L passed away. Her husband C tells me often how he loves that painting and talks to “her” everyday.
    I am happy that the painting brought so much joy and still brings much comfort to my friends. I will always consider it my best work.

    1. If they bought your paintings, it was because something moved them, not because they felt sorry for you. As a person who believes that our steps are laid out for us (if we listen to the Holy Spirit), I think that the first paintings they bought were part of a sequence that led to the portrait, and that you were meant to follow that path. That is indeed your most important work… to date.

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